Unfortunately, no one saw the studio.
I LOVE THIS SHIT
The jewdio
Sorry I dont watch that kike after the santa inc shit
I saw it, it was fun but I was expecting it to end with the Kool Aid movie coming out, maybe next season they'll do it like it's the Minecraft movie
Action (1999) mogs the living shit out of this show and doesn't hold any punches. Modern TV is watered-down piss.
oh no I missed the newest seth rogen slop? how terrible
From the clips i've seen seems like something i'd loved but i just can't stand Seth Rogen, will wait a couple of years so i can replace him with Michael Fassbender or some shit with ai.
its not nearly as clever as it thinks it is and as some others pointed out the parody aspect is lost when it wouldnt be out of the ordinary for a "koolaid movie" to actually exist and come out now.
the definition of 'limited hangout'. hey we'll show u hollywood being self aware about how audiences dont like forced diversity, but uhhh we dont really have anything to say about it or any funny jokes to make about it
YELLING! the show. almost no real jokes. good shooting wasted on hack safe writing. first couple eps were ok but went way off the rails
the koolaid stuff was weak. the showrunners dont have the balls to actually go there
unironically The Idol with all it flaws is head and shoulders above the studio and did its film school shtick better
It was a fun ending. I am glad Matt got his win. However, there is room for some improvement for the next season. I will be watching when it comes out in 2 years or whatever.
The
Movies
save was pretty nice along with Dave Franco and Zoe whatshername nailing it.
The first episode is still the best episode. Greenlighting the Kool Aid movie and fucking over Marty's movie was the closest this show got to what I wanted it to be.
Looking forward to the next season anyway though. It is a fun time.
hope youre a hbo bot for your sake. absolute shit ending. 'brooo they were all really stoned but they just happened to get it together in time and nail the presentation!' okay? why do we care? what was interesting about it? its the stock ending. and cranston was embarrassing. where are the jokes, seth? yelling isn't a joke
I do think they need better jokes and yelling is not a suitable replacement. Cranston was embarrassing.
considering all this show did was rip off Larry Sanders and The Comeback, it was shocking how little it actually cared to do jokes about hollywood. it was all just fluff 'this is like weekend at bernies! we'll weekend at bernie him!' web series humor. low and lame
I kept thinking there would be some sort of moral arc, at least the starting premise of "I want to bring art back to movies".
Or, at least, I thought it would turn into him getting fucking fired at the end where it's like "oh I'm an asshole that is massively irresponsible and I only got ahead through sycophancy and luck".
Well, sigh, it's just a manic le quirk show set in the world of film production. The protagonists are studio execs, literally hated more than directors, producers, financiers and so forth.
I liked it though. Kinotic for sure.
The "war" episode where they fight over the parking space is a great example of how le quirk manic premise doesn't work, it doesn't land. The doctor girlfriend is another bad one but it's made up for from it kind of being an indictment of asshole doctors and a humiliation ritual for Seth Rogan at the same time.
The pilot was very good though, and the one-shotter episode was fucking brilliant because it committed to a single premise and stuck with it.
The noir episode was mid. Olivia Wilde twist was yawn, but the totally appropriately paced nod to noir for like 10 minutes then subtly abandoned was perfect.
Imagine a cowboy movie version of this, with a very very subtle dig at Alec Baldwin.
It's a good show, it just needs to maybe pick a lane. Get a better, actual story arc for season two, like a "point". Not too much into deeper characterization. The characters should remain pretty what-you-see-is-what-you-get acting out their character not delving into it.
They also need to decide every episode if the premise works well or doesn't. Clever ones like the one-shot episode of the studio head visiting a set can fill the whole episode. Other ones should last about 10 minutes and then pivot. Those weaker premise episodes are great places to bottle plot progress for the seasonal arc.
The DEI episode was like slow-drip laughing at DEI for progressives. Like "we can make fun of this guys, there's ways".
It was cringe for everyone not a hardcore progressive.
And how when Bryan Cranston would stumble over they just dragged him with the wire as if he's just rollicking around with style. Matt Parker/Trey Stone tier physical comedy.
judeofatigue is terminal
Dave Franco
What an asshole of a brother, fuck Seth too for being such a shit friend.
I kept thinking there would be some sort of moral arc, at least the starting premise of "I want to bring art back to movies".
Well, sigh, it's just a manic le quirk show set in the world of film production.
It's a good show, it just needs to maybe pick a lane. Get a better, actual story arc for season two, like a "point". Not too much into deeper characterization. The characters should remain pretty what-you-see-is-what-you-get acting out their character not delving into it.
I think this is very well said. I like the show, but all those issues are what I had with it.
I tried watching it but like always I couldn't stand Seth Rogen.
I haven't seen him since the interview.
I have kike fatigue
Yeah their formula on a platter:
Pick an arc
1) Seth Milchuck falls on his fucking face as the shitshow blows up around him.
OR
2) He starts low very early in the season and climbs back up.
He'll need characterization, maybe a story about seeing a movie with his father who then left him. Wanting to recreate that perfect scene that he remembers his best time with his father during, for audiences of today.
Now, in 10 episodes, pick a premise for each. Either
1) a film genre
2) a topical issue in the industry (streaming services)
3) a general cultural topical issue, but very general (like work from home NOT Stanley Cups NOT politics)
4) a timeless industry "thing" (like studio heads fucking up set work)
5) a hollywood "thing" (like, traffic, finding day care, going to XYZ vacation thing everyone goes to, a specific party)
Now, pick your 3-5 best premises and make each episode on each thing singularly focused on the premise alone.
Take your remaining premises, that are weak, and find a way to highlight them and then subtly blend into the "main arc" of the season.
That's it.
Cinematography in the show is good.
Dave Franco is in the last 2 episodes and he's like the perfect shitty lost genetic material short clone of James. Same drunk crazy asshole type.
The most Jew-y show ever fucking made.
To be realistic though, it need to be way more Gay-y than Jew-y, and it wasn’t.
if you watch this show you desserve to be shot in the cunt
Seth Rogen deserves to die painfully on the streets
i just hate that fucking dude way too much to even attempt to try and watch this show. it's a shame, it looked interesting. he should stick to just producing stuff so i don't have to look at him
Well, it's "aight" but if there's one thing it's definitely not, it's not interesting.
Physical slapstick humor is considered pretty cringe these days, so I commend them for doubling down on it, just because they like it and wanted to. There was a silliness to the whole series and exercise that was kind of refreshing, especially coming from a GenXer like Seth that’s usually all about irony or sarcasm, or meta stuff (which it was full of). If you actually take a close deconstructed look at the series, you can see how many different aspects of comedy (and tropes,etc) they played with, intelligently. To me, that’s why it may come off as disjointed. In a scene they’ll jam a straight joke/punchline, meta callback, slapstick fall, Hollywood insider bit, shock humor, visual gag, all hung on a not so-strong premise, hoping something will land. There’s much worse stuff streaming these days, so I’ll give them credit. Chuds don’t understand, and can’t do comedy, anyway so their whining and opinions are worthless.
dude did you know I'm jewish
I like the show but what's up with this in every episode?
Bryan Cranston's venetian boat journey was funny as hell but the next episode fucked it up.
The one-shotter was hilarious.
I forgive it. The Jake Johnson shit is clearly doing a
4) a timeless industry "thing" (like studio heads fucking up set work)
Where it's like "WE KNOW YOU'RE FUCKING JEWISH WE ALL ARE SHUT UP ALREADY"
Hollywood is the first place since Western Galilee that Jews have fully controlled for their own sake so it's appropriate to jew talk in a hollywood context.
The one-shotter was absolute kino. Didn’t just commit to the bit, but really worked right to the end and developed his character out of the 1st ep.
Jews living in your head rent free 24/7 oy vey goy!
“ROGAN” was the answer to one of the Tuesday’s WSJ crossword puzzle. I’d never heard of studio. Baader-Meinhof phenomenon big time lol
I started it with the gf, I loved ep1, gf was kinda ok with it, we watched ep2 next week and it was the same joke all over again, then ep3 came and it was surprise the same fucking gimmick again and thats when gf told me fuck to fuck off and that she hated that kike rogen. I still need to watch the AI ep because it relates to my work but im not really into the show anymore.
It's not an AI episode, it's a DEI 6 years late joke episode. Still kind of funny to see Jews humiliation ritual themselves to blacks though.
Yeah that was probably the only character development in the season. Like, he wants to be taken seriously on set but a "studio guy"... fuck right off.
But THE studio guy? Good synergy.
They kind of drop it, other than in the doctor episode they kind of address it, and then the two part finale sort of premises off of it but then devolves into a shit show.
The series ONLY works because I can kind of accept that the movie business is literally
sort of premises off of it, but the devolves into a shit show
And almost every film ever made is a result of this process.
I can't picture Seth mocking any of the stuff he'd usually do with his movies so I can't see myself ever watching this.
He's also usually pretty bad at being self deprecating. Instead he seems to be into being the guy that mocks those around him. Which I feel went out of style years and years ago as it comes across too egotistical to always try being the wisecracker that's above the idiots around him all the time. So his attempts at humility come across pretty half assed and obnoxious.
It was basically Larry Saunders on coke. That show was full of dry, biting, observation comedy. The Studio took the conceit and tried to pack in as much comedy tricks and bits as possible, ADHD hyper. I did enjoy it. I think the people who didn’t like it (outside of the anti-semites) don't get the industry and references. The same people who would watch the opening shot of The Player, and not realize in 30sec it a oner, and are confused about the dialogue and get bored because it’s film specific.
kek absolute pseud cope. the inside jokes were obvious safe shit youve heard a hundred times in tweets already. sanders was actually funny, this was slop and you enjoying it makes u dumb not smart
u mad, faggot? Touch grass, have sex.
seethe, u got wrecked chump. 'to be fair u need a very high film IQ to understand the Jewdio...'
Surprised Dave Franco guest starred given James Franco has been pretty open about being bummed Seth Rogen dropped him as a friend.
He's also usually pretty bad at being self deprecating.
He humiliates himself in every single episode and is always the idiot/the problem.
u need a very high film IQ
And you revealed you don’t. Go back to capeshit, or ladyballers; “comedy” that consist of a redneck saying “nigger” unironically.