Can somone please explain the manufactured hype around this film...

It's made by one of two notable black directors in Hollywood and it's being astroturfed because of that. Nevermind the fact there were notable black directors long before Peele and this guy. They're just the designated poster boys for affirmative action in film. A mediocre piece of crap juvenile genre film that would've been seen as such had it not been made by a black director given a free ride by Hollywood just so they can maliciously use him to spread social-engineering messaging. Jewish elites fetishizing blacks out of some deep-rooted racism. They think of them as so lowly that it circles back to some kind of perverted faux-admiration and they give them the keys to the candy store just because. Oh, and they hate white people. That goes without saying.

I mean, for fuck's sake, Hailee Steinfeld absolutely humiliates herself in this movie and she just got married to a fucking NFL superstar. What does he think of the fact everyone just watched his girlfriend be railed by a black man in a movie?

I must be the only one who was far more interested in a road trip thriller with the two brothers and the family than the vampire stuff. Not to say the latter half wasn't enjoyable but the precedent half of the film was far more interesting. I enjoyed the dialogues between Keitel and Clooney. Felt like it led you on with something real and then turned into genre schlock. Albeit, very passable schlock.

This movie is propaganda for eating pussy.

its fake and gay. buy out empty theaters, claim it sold out. low number of theaters too. youd think it was on pace for 500M+ with fake marketing hype post release, but its barely breaking even with its budget. its garbage film that just plagiarizes dusk til dawn but BLACK

Manufactured hype

It's just this. My co-workers always have it on a rap station on the radio at work and there's always a DJ hocking the movie as YALL NEEDA SEE DIS CUZ WE'Z ALL BLACK YA HURD.

It is literally just blacked porn nigger superiority complex bait. Same kind of propaganda as Black Panther, and by the same director no less. Only the shitskin slave class is drawn to this because they are too stupid to see that it exists only to keep them complacent and loyal to their Jewish masters.

and worse in every way imaginable except for maybe setting. Tbh the setting could’ve been cool had an actual talented person made it.

OH LAWD SAVE US! WE BE SINNIN AND SHIEEET

If black people love something, a huge swath of the white population will throw their money at it to appear culturally relevant and socially virtuous.

So there was a huge effort to gaslighting black into caring about this movie, in an attempt to replicate the money factory that was Black Panther.

i liked it

Interracial sex propaganda.

It's just good. It's no some 10/10, but even by the standards of great movies it's at least a 7/10. Just look at the absolute trash that's been in theaters alongside it.

Jewish social engineering.
Jews have been trying to use gay race politics to turn blacks away from Christ since Frederick Douglas. E. Michael Jones talks a lot about it in the Jewish Revolutionary Spirit. More recently you had those fat dykes from BLM pushing ooga booga ancestor worship as an alternative to Christianity, and that seems to be the vein Coogler is working in. Of course the jews at Warner are happy to promote the message, as it serves their interests.
Blurs music was promoted by Jewish record labels to condition blacks to be agents of the Jewish cultural agenda.

Can somone please explain the manufactured hype around this film?

This scene must be one of the best scenes I’ve seen in my life. The experience in theaters was INSANE !!!!

Genuinely one of the most mesmerizing sequences of any film I’ve seen

The tribute to all periods of time representing black music’s evolution and other worldly influences was INSANE

My brain was melting this entire sequence. IMAX

I beg of you all, GO SEE THIS MOVIE. THIS SEQUENCE AND MUSIC WAS CRAZYYYYYYYYYYYYYYYY

My jaw was on the floor during this entire sequence. Just Beautiful.

If u saw this scene alone in imax u will know, this scene alone spoke to me in a lot of ways, this movie was magical

I was NOT ready for this movie. masterpiece

I wasn't prepared for this scene and started crying in the theater

Genuinely one of the greatest scenes of all time and it came out of NOWHERE

I've never seen or heard literal magic but this has to be the closet thing to an epiphany. Literally hit outta nowhere

This scene shook my whole spirit

When they say the magic of cinema, this is what they mean

What a scene !!!!!! it was a pure euphoria

I felt ascended watching this sequence in he theatre

This wasn't a movie! This was an EXPERIENCE!!

This is cinema!!

This scene here is already for the price of admission!

Third eye unlocked. This song along with the visual touched my soul

This scene almost made me cry

I can’t describe how beautiful this was

Peak cinema

This is proof that film and music can be magical

Me and my wife both had goosebumps in the theater

The chills that went through my body... holy ghost level

OUT OF THIS WORLD!!!

Felt like I was levitating

MOST ICONIC SCENES IN CINEMA! Loved it this scene gave me goosebumps

I transcended

absolutely mesmerized!

I will never be able to explain the TRANSE STATE I felt while watching this scene

breathtaking sequence

gave me goosebumps

PURE CINEMA

transcendent

I got goosebumps

goosebumps

In a just world, all of these people would be rounded up, tortured in the most horrific ways possible to the death and then their bodies would be decimated so no trace of their existence remains.

"road trip while black" is fresh onscreen. It doesn't update zombie genre per se

Somebody post the webm of the ancestors scene. From the hype I thought it used some clever camera tricks or something, but it's just a tracking shot of a bunch of out of place niggers in costumes.

it was a two minute plot, stretched into a two hour black culture jerk off fest

Shit was boring af

Unironically its a pretty good period piece. The score is great, and aside from corny moments towards the end, it was well directed and acted. Plus, it actually felt like a movie made by niggas for niggas, not as band of nervous whiteys and (((screenwriters))) (but it totally a was.) The hype is also black people love movies made to appeal to them, and unlike Asians and whites, actually leave their house to do things. I am prettty conservative and amerimutt white, however I am mildly into blues music and history, so the vampire shit was gay for me. Overall good movie, and much better outing from Coogler than his previous two (capeshit black panther movies), and I might put this above Creed desu.

black people actually leave their house to do things

Mostly retail theft.
t. wagemonkey

ah yes, black people

historically known for their productivity

unlike white people

You definitely are a conservative alright.

yeah, I went to two showings since after the first time I thought seeing a IMAX showing would be nice for the sound system alone (it was) Also exploiting the AMC a lister glitch so it didn't cost me anything, but both theatres were packed with strangely nice noggs that talked to me after the movie, and surprisingly enough, not for my wallet or if I wanted fent :D

nigga, its not about productivity, its because they literally actually leave their homes more to hang around streeet corners or go to 7/11 to shoot dice for crack money while blasting shitty local trap music out of a JBL pill speaker. Its not as much of a stretch for them to go to the theatre

Those niggers aren't the black people going to the theater.

Black be mindin dey buiniss an sheit

Dey be playin dat BLUES

Yt demons come an fuck wit dem

Kill a whole bunch a inocen black folx

Somtin bout vampires an sheit idk

The trailer gives away most of the plot

this reminds me of black panther. Huge hype surrounding that film because of "we wuz Wakadnans". It also was at best an average marvel film.

But hearing from all the hype on here and the rest of social media, you'd think it was a masterpiece. But it's barely even talked about today because it was mediocre slop. It's been one week since Sinners released and we get a couple threads a day with not much engagement. This movie will be irrelevant by the end of this month.

As someone mentioned before, a shit ton of white people are going to fan the balls of blacks no matter what. Right now on twatter so many white conservatives are freaking out because a white woman is getting a million dollars in support from a gofundme because she called a black kid stealing from her nigger. They are more outraged by this then when that black kid made a half a mil on a gofundme from murdering a white kid. Christians especially are equivocating the sin of racism to the sin of murder.

America just has a culture of nigger and jew worship.

Black Panther

a literal royal calls a guy "colonizer"

Hilariously stupid

Sinners is a cope wrapped in a cope. They need to go back to the drawing after 53% of Americans and much higher for millennials/zoomers, actually much higher than they can grok, are opposed to Zio hegemony and power in the West.

They need blacks and whites to bicker again so that Israel can create Greater Israel and dismember Palestinians and whatever else without much attention this summer. This is why a tattooed presumed drug addict is shilled on Anon Babble for saying the n-word and raising nearly $1 million after the murder of the white football player by some black teen thug raised roughly the same amount.

They are falling back to the Django Unchained Weinstein propaganda rather than tripling down on the Barry Jenskins' black faggot Oscarbait propaganda, because they want violence, and they also need young white males fired up against "the other" to send them into the meat grinder when they false flag America with another 9/11 blamed on Iran.

TLDR: Taps sign

Coogler is the new Jordan Peele. Michael's next role is replaced the white icon Steve McQueen in the Thomas Crown Affair. Coogler's next project is rebooting the X-Files into the Malcolm X-Files, except Malcolm X would have bitchslapped Coogler and done an AMA on Anon Babble or Fuentes.

It's pathetic that Sinners is now expected to earn Academy Awards nominations when it's just a black remix of From Dusk Til Dawn, which to Robert Rodriguez's credit wasn't some slop brained racial allegory, the Mexican whore house strip club is simple what it is. Imagine if J00gler remade Alita, Christoph Waltz would be the descendant of WWII camp survivors or something.

Tbqh though, Tarantino started woke with Django Unchained and Inglourious Basterds, this neo revisionist bloodthirsty grindhouse elevation that substituted based qualities of True Romance and Pulp Fiction with Rosa Parks Guns Down Le Bus blockbuster fantasy. Now he lives in Israel, and Coogler won't go near the Palestine Genocide.

Joogler can't make Desperado. He can't make Jackie Brown. He can't make a level From Dusk Til Dawn tribute or Alita even though Michael Jordan is a "big manga fan." He's a sterile copycat of the Miramax 90s who bows down to Zionist mandates for white vs black conflict. They Live did what he would never dare to do and Carpenter never sucked their cocks, he retreated to play vidya and chain smoke in a $2 million homestead.

It's getting nominated for Best Picture too, you better be ready for that seethe and cope.
Black Panther and Sinners are 7.5/10 movies at best but because you racists cumrags have poisoned the well with your politics, we have to wait for the overton window to shift and be allowed to criticize movies without being called a dumb racist

The first half was directed by Tarantino, but over time this has been downplayed. Essentially From Dusk Til Dawn was Grindhouse before Grindhouse but split into a single film. Today it's just passed off that Tarantino wrote the script, but he's always been hesitant to go full horror without contingencies, be it Grindhouse's novelty or splitting duties on FDTD. Rather than retire it would be cool but impossible if he directed a couple horror movies under an alias, he actually considered directing a Friday the 13th in the late 90s or early 2000s.

He could do for horror what is needed to dropkick the A24 trustfund garbage that prevails. It's debatable that both Tarantino and Rodriguez peaked with FDTD, that sense of fun and no fucks is missing from everything after, as is film in general.

and warner brothers' executives conveniently needed a big hit after their jobs were in question, and now that supergunn won't make $250m

whites are only 10% of the global population. isn't that interesting?

It feels uncanny because that's how modern movie marketing works, they aren't spending millions to shoehorn in commercials between MSNBC broadcasts, it's all about stealth drops and priming social media before (or even right after) release to develop hyper-fast WOM. The same thing is happening with videogames, usually a shadow drop followed by explosive shilling so it feels like you're missing out.

muh blacks is superior gib gib

his fault for marrying a jew

Just saw it. Decent movie hyped beyond its merit because of social progressiveness. It had less of the black inferiority/superiority complex shit than I expected from this kind of movie, although it's still there to some extent. All of the performances are good, but some of the anachronistic dialogue felt jarring for a period piece. The Irish vampire hivemind is a fun villain and a more subtle type of evil beyond the normal "evil whitey" messaging, but they do end with Michael B Jordan gunning down some random unrelated KKK goons which felt kinda tacked-on and hamfisted just to fill that angle. The biggest issue is that the humans winning the battle with the vampires doesn't make any sense at all. It's like 30v2 at the end of the night and the vampires just stand around while the sun comes up and basically lose on purpose. Felt like lazy direction. Also it's one of those movies where everything has to be spelled out with dialogue or a voiceover because they assume the audience is dumb, which annoyed me.

The vampire in this movie literally did nothing wrong, they should have just invited him in

It had less of the black inferiority/superiority

the opening scene is white women having sex with blacks and the black vampires are spared because the merchants who made this movie want you to think being a vampire isn't inherently evil but being white is

Tarantino didnt direct any of it. An effects company asked him to write a script to show off their talents of a Vampire bar gore fest. Typical Tarantino he developed the characters and spent half the script of two criminal brothers on the run. It only got greenlit because studios wanted more Tarantino stuff to sell because of Pulp Fiction. So he asked his friend to direct and put his name on the script so he could get paid. This is the reason Desperado got fame; because of his 5 minute scene at beginning of the movie

I actually missed the opening scene because I walked into the theater late, was that a different girl? The only interracial relationship stuff I saw was the girl who is revealed to be mixed-race and raised among blacks